Binary Artists

Anything you need to know to develop a script. View various formats, download free templates, learn about scriptwriting software, network with other Chicago writers, check out film scripts.


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You Are Here: creation process: post production: Movies with profound editing style.

Movies with profound editing style.

Birth of a Nation.

A pivotal moment in film history. After The Birth of a Nation, nothing was the same: not the way audiences watched movies, not the way filmmakers created them. D.W. Griffith's jumbo-size saga of the Civil War expanded the boundaries of storytelling on the screen, conveying a richer, more complicated (and certainly longer) tale than anyone had seen in a movie before. The delicate relationships, the sad passage of time, the spectacular battle scenes all look as fresh and innovative today as they did in 1915. So do Griffith's brilliant actors, most of them--including favorite leading lady Lillian Gish--drawn from his regular stock company. What has become increasingly problematic about The Birth of a Nation is Griffith's condescending attitude toward black slaves, and the ringing excitement surrounding the founding of the Ku Klux Klan. Griffith, whose political ideas were naive at best, seemed genuinely surprised by the criticism of his masterwork, and for his next project he turned to the humanist preaching of the massive Intolerance. Despite protests, Birth sold more tickets than any other movie, a record that stood for decades, and President Woodrow Wilson famously compared it to "history written in lightning." That judgment has lasted.
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Strike,
Battleship Potemkin,
October

Sergei Eisenstein's revolutionary sophomore feature has so long stood as a textbook example of montage editing that many have forgotten what an invigoratingly cinematic experience he created.

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The Cabinet of Dr. Caligari

A milestone of the silent film era and one of the first "art films" to gain international acclaim, this eerie German classic from 1919 remains the most prominent example of German expressionism in the emerging art of the cinema. Stylistically, the look of the film's painted sets--distorted perspectives, sharp angles, twisted architecture--was designed to reflect (or express) the splintered psychology of its title character, a sinister figure who uses a lanky somnambulist (Conrad Veidt) as a circus attraction. But when Caligari and his sleepwalker are suspected of murder, their novelty act is surrounded by more supernatural implications. With its mad-doctor scenario, striking visuals, and a haunting, zombie-like character at its center, Caligari was one of the first horror films to reach an international audience, sending shock waves through artistic circles and serving as a strong influence on the classic horror films of the 1920s, '30s, and beyond. It's a museum piece today, of interest more for its historical importance, but Caligari still casts a considerable spell.
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